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The theme of "Daniel and the Sacred Harp" is "a loss of integrity." [1] The lyrics tell a story similar to the Robert Johnson myth. [2] [3] [4] They also have antecedents in the story of Faust. [5] They tell of a man who acquires a famous harp, but loses his soul to get it. [2]
The Greek word ψυχὴν used here means both soul and life. Cornelius a Lapide interprets this verse as, He that finds his life (ψυχὴν), which is, "the corporeal safety of life, when in peril of death, through denial of the faith", that such a person will lose his soul (ψυχὴν), i.e., the eternal salvation of his soul. By contrast ...
Timothy Dudley-Smith wrote the hymn in May 1961 when he and his wife had just moved into their first house in Blackheath.He was inspired to write the text when he was reading a modern paraphrase of the Magnificat in Luke 1:46–55 in the New English Bible, a translation which begins with the phrase, "Tell out, my soul, the greatness of the Lord".
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
This verse is closely paralleled at Luke 7:6, but Matthew drops the extra complication of the Centurion first sending friends to talk to Jesus. [1]The Centurion clearly acknowledges his subordinate position to Jesus, though the term translated as Lord does not necessitate the Centurion recognize Jesus as divine.
George Frideric Handel. Solomon, HWV 67, is an oratorio by George Frideric Handel.The anonymous libretto – currently thought to have been penned by the English Jewish poet/playwright Moses Mendes (d.1758) [1] – is based on the biblical stories of the wise king Solomon from the First Book of Kings and the Second Book of Chronicles, with additional material from Antiquities of the Jews by ...
[7] Athanasius therefore states in his Creed: "One, not by confusion of substance, but by unity of Person. For as the reasonable soul and flesh is one man, so God and man is one Christ." The New Annotated Oxford Bible notes in this verse that 'Jesus was fully human (the Word became flesh) and fully involved in human society (and lived among us ...
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.