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The yellow salon of Queen Louise of Prussia in the City Palace, Potsdam (c.1840), by Friedrich Wilhelm Klose (1804–1863). The interior portrait (portrait d'intérieur) or, in German, Zimmerbild (room picture), is a pictorial genre that appeared in Europe near the end of the 17th century and enjoyed a great vogue in the second half of the 19th century.
360° panorama. Harmony in Blue and Gold: The Peacock Room (better known as The Peacock Room [1]) is a work of interior decorative art created by James McNeill Whistler and Thomas Jeckyll, translocated to the Freer Gallery of Art in Washington, D.C. Whistler painted the paneled room in a unified palette of blue-greens with over-glazing and metallic gold leaf.
The painting depicts Van Gogh's bedroom at 2, Place Lamartine in Arles, Bouches-du-Rhône, France, known as the Yellow House. The door to the right opened on to the upper floor and the staircase; the door to the left was that of the guest room he held prepared for Gauguin ; the window in the front wall looked on to Place Lamartine and its ...
Middle-class drawing room in Blackheath, London, 1841, painted by James Holland. In 18th-century London, the royal morning receptions that the French called levées were called "drawing rooms", with the sense originally that the privileged members of court would gather in the drawing room outside the king's bedroom, where he would make his first formal public appearance of the day.
Jo Hopper would then add additional information in which the themes of the painting are, to some degree, illuminated. A review of the page on which Office at Night is entered contains the following notes about the painting, in Jo's handwriting: Office at Night. 22x25. "Confidentially Yours". "Room 1005". Feb 22, 1940.
The next room, going from East to West, is the Stanza di Eliodoro ("Room of Heliodorus"). Painted between 1511 and 1514, it takes its name from one of the paintings. The theme of this private chamber – probably an audience room – was the heavenly protection granted by Christ to the Church. [2]