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The terms "nursery rhyme" and "children's song" emerged in the 1820s, although this type of children's literature previously existed with different names such as Tommy Thumb Songs and Mother Goose Songs. [1] The first known book containing a collection of these texts was Tommy Thumb's Pretty Song Book, which was published by Mary Cooper in 1744 ...
The oldest children's songs for which records exist are lullabies, intended to help a child fall asleep. Lullabies can be found in every human culture. [4] The English term lullaby is thought to come from "lu, lu" or "la la" sounds made by mothers or nurses to calm children, and "by by" or "bye bye", either another lulling sound or a term for a good night. [5]
Pages in category "Traditional children's songs" The following 198 pages are in this category, out of 198 total. ... Doctor Foster (nursery rhyme) Dong, Dong, Dongdaemun;
The rhyme is followed by a note: "This may serve as a warning to the proud and ambitious, who climb so high that they generally fall at last." [4]James Orchard Halliwell, in his The Nursery Rhymes of England (1842), notes that the third line read "When the wind ceases the cradle will fall" in the earlier Gammer Gurton's Garland (1784) and himself records "When the bough bends" in the second ...
T. Taffy was a Welshman; Teletubbies say "Eh-oh!" Ten German Bombers; Ten Green Bottles; There Was a Crooked Man; There Was a Man in Our Town; There Was an Old Lady Who Swallowed a Fly
A children's song may be a nursery rhyme set to music, a song that children invent and share among themselves or a modern creation intended for entertainment, use in the home or education. Although children's songs have been recorded and studied in some cultures more than others, they appear to be universal in human society.
T. Taffy was a Welshman; There Was a Crooked Man; There Was a Man in Our Town; There Was an Old Woman Who Lived in a Shoe; There Was an Old Woman Who Lived Under a Hill
"Mary, Mary, Quite Contrary" is an English nursery rhyme. The rhyme has been seen as having religious and historical significance, but its origins and meaning are disputed. It has a Roud Folk Song Index number of 19626.