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An ambigram is a calligraphic composition of glyphs (letters, numbers, symbols or other shapes) that can yield different meanings depending on the orientation of observation. [2][3] Most ambigrams are visual palindromes that rely on some kind of symmetry, and they can often be interpreted as visual puns. [4]
Known for. Ambigrams. Website. www.johnlangdon.net. John Langdon (born April 19, 1946) is an American graphic designer, ambigram artist, painter, and writer. [1][2] Langdon has been a freelance artist specializing in logos, type, and lettering since 1977. [3][4][1] He retired from teaching in Drexel University 's graphic design program in ...
The Hollow-Face illusion is an optical illusion in which the perception of a concave mask of a face appears as a normal convex face. Hybrid image. A Hybrid image is an optical illusion developed at MIT in which an image can be interpreted in one of two different ways depending on viewing distance. Illusory contours.
Angels & Demons. Angels & Demons is a 2000 bestselling mystery - thriller novel written by American author Dan Brown and published by Pocket Books and then by Corgi Books. The novel introduces the character Robert Langdon, who recurs as the protagonist of Brown's subsequent novels.
Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms. These are famous for inducing the phenomenon of multistable perception.
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Another example of a bistable figure Rubin included in his Danish-language, two-volume book was the Maltese cross. A 3D model of a Rubin vase Rubin presented in his doctoral thesis (1915) a detailed description of the visual figure-ground relationship, an outgrowth of the visual perception and memory work in the laboratory of his mentor, Georg ...
Combine two names that have special meaning — whether it’s the parents’ names, grandparents’ names, or other special people. This concept is similar to technique No. 2.