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A sign on a car says "The New Negro Has No Fear". "New Negro" is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term "New Negro" was made popular by Alain LeRoy Locke in his anthology The New Negro.
OCLC. 640055594. The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [ 1 ] As a collection of the creative efforts coming out of the burgeoning ...
The New Negro Art Theater Dance Group. As part of the “Little Theater movement” Winfield started and directed the Sekondi Players of Yonkers in 1925. [2] In November 1927 Winfield and the Sekondi Players performed a children's play, The Princess and the Cat, written by his mother, Jeroline Hemsley Winfield. Winfield called the group ...
Although, post World War 1 could be defined as the spark that initiated the fight against the status quo and the emergence of the New Negro Movement. [2] The fight for equality and civil rights in the United States would become a centuries-long battle which is still taking place today. [3]
5. Hubert Henry Harrison (April 27, 1883 – December 17, 1927) was a West Indian-American writer, orator, educator, critic, race and class conscious political activist, and radical internationalist based in Harlem, New York. He was described by activist A. Philip Randolph as "the father of Harlem radicalism" and by the historian Joel Augustus ...
Anne Spencer. Anne Bethel Spencer (born Bannister; February 6, 1882 – July 27, 1975) was an American poet, teacher, civil rights activist, librarian, and gardener. She was a prominent figure of the Harlem Renaissance, also known as the New Negro Movement, despite living in Virginia for most of her life, far from the center of the movement in ...
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1] At the time, it was known as the " New Negro Movement ", named after The New Negro, a 1925 anthology edited ...
Black No More: Being an Account of the Strange and Wonderful Workings of Science in the Land of the Free, A.D. 1933-1940 is a 1931 Harlem Renaissance satire on American race relations by George S. Schuyler. In the novel, Schuyler targets both the Ku Klux Klan and NAACP in condemning the ways in which race functions as both an obsession and a ...