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A Virgin with a Unicorn, c. 1604 –05, fresco in Palazzo Farnese, Rome, after a design by Annibale Carracci. Domenichino's work, developed principally from Raphael's and the Carracci's examples, mirrors the theoretical ideas of his friend Giovanni Battista Agucchi, with whom the painter collaborated on a Treatise on Painting.
"The Unicorn Rests in a Garden," also called "The Unicorn in Captivity," is the best-known of the Unicorn Tapestries. [1]The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York.
The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]
c. 1505-1506. Type. Originally oil on panel; now on canvas. Dimensions. 65 cm × 51 cm (26 in × 20 in) Location. Galleria Borghese, Rome. Portrait of Young Woman with Unicorn is a painting by Raphael, which art historians date c. 1505-1506. It is in the Galleria Borghese in Rome.
The Unicorns is an 1880s oil-on-canvas painting by Gustave Moreau, now in the Musée national Gustave Moreau. [1]It is freely inspired by The Lady and the Unicorn tapestries in the musée de Cluny [2] Moreau spoke of the painting and its subject as "an enchanted island with a gathering of women, solely of women giving the most precious pretext for all patterns of plastic art".
The unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiraling horn projecting from its forehead. In European literature and art, the unicorn has for the last thousand years or so been depicted as a white horse - or goat -like animal with a long straight horn with spiralling ...