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Ītzpāpālōtl. Ītzpāpalōtl[a] ("Obsidian Butterfly") was a goddess in Aztec religion. She was a striking skeletal warrior and death goddess and the queen of the Tzitzimimeh. She ruled over the paradise world of Tamōhuānchān, the paradise of victims of infant mortality and the place identified as where humans were created. [1]
They were a type of Aztec warrior called a cuāuhocēlōtl [kʷaːwoˈseːloːt͡ɬ] (derived from cuāuhtli [ˈkʷaːʍt͡ɬi] ("eagle") and ocēlōtl ("jaguar"). [3] They were an elite military unit similar to the eagle warriors. The jaguar motif was used due to the belief the jaguar represented Tezcatlipoca. Aztecs also wore this dress at ...
The Eagle Warrior Temple is located in Malinalco, Mexico. The temple sits upon a hill and is completely carved out of bedrock. The temple is a circular structure with an entrance containing 13 steps, and includes two jaguar sculptures. The entrance to the temple was a carved open mouth of an Aztec earth monster.
Tezcatlipoca. The jaguar was an animal sacred to Tezcatlipoca. Tezcatlipoca (/ ˌtɛskætliˈpoʊkə /; Classical Nahuatl: Tēzcatlipōca [/teːskat͡ɬiːˈpoːkaʔ/]) or Tezcatl Ipoca was a central deity in Aztec religion. He is associated with a variety of concepts, including the night sky, hurricanes, obsidian, and conflict.
Gold-silver-copper alloy figure of an Aztec warrior, who holds a dartthrower, darts, and a shield. Aztec warfare concerns the aspects associated with the militaristic conventions, forces, weaponry and strategic expansions conducted by the Late Postclassic Aztec civilizations of Mesoamerica, including particularly the military history of the Aztec Triple Alliance involving the city-states of ...
The warrior would thus ascend one step in the hierarchy of the Aztec social classes, a system that rewarded successful warriors. [ 22 ] During the festival of Panquetzaliztli, of which Huitzilopochtli was the patron, sacrificial victims were adorned in the manner of Huitzilopochtli's costume and blue body paint, before their hearts would be ...
The cardinal directions were a foundational aspect to Aztec society and constituted the layout for the city of Tenochtitlan and is the principle on which the aztec calendar was built. [8] Each quadrant was affiliated with specific deities, sacred trees, colors, or birds. [10] Pictures is each of the five aztec atlantean figures.
Chīmalli. A Xicalcoliuhqui Chīmalli. Aztec warriors as depicted in the Codex Mendoza, each one wielding a shield (chīmalli) Shield belonging to the Aztec king Ahuitzotl currently Museum of Ethnology, Vienna, Austria. Ceremonial shield (māhuizzoh chimalli) with mosaic decoration. Aztec or Mixtec, AD 1400-1521. In the British Museum.