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"Fast Lane" was received favorably by critics. Upon the release on the EP, Hell: The Sequel, Billboard editor Jason Lipshutz published a track-by-track review. According to Lipshutz, "Fast Lane" is "G-funk on steroids, with sing-song refrain breaking up crushing mic-trading bout between Royce da 5'9" and Eminem."
"Life in the Fast Lane" is a song written by Joe Walsh, Glenn Frey and Don Henley, and recorded by American rock band Eagles for the band's fifth studio album Hotel California (1976). It was the third single released from this album, and peaked at No. 11 on the Billboard Hot 100 .
"The Last Resort" is a song written by Don Henley and Glenn Frey, which describes industry and commerce inevitably destroying beautiful places. It was originally released on the Eagles' album Hotel California on December 8, 1976. [1] It was subsequently released as the B-side of "Life in the Fast Lane" single on May 3, 1977.
"Now and Later" is a song by American rapper Sage the Gemini. It was released on October 14, 2016, as the lead single from his debut mixtape, Morse Code (2017). [ 1 ] The song was used in a popular Snapchat filter.
WWE Fastlane was a professional wrestling event produced by WWE, a professional wrestling promotion based in Connecticut.It is broadcast live and has been available through pay-per-view (PPV) and via livestreaming on the WWE Network since 2015 and Peacock since 2021.
Fast & Furious, also known as The Fast and the Furious, is an American action media franchise centered on a series of films revolving around street racing, heists, and spies. The franchise also includes short films, a television series, toys, video games, live shows, and theme park attractions. The films are distributed by Universal Pictures.
Livin' in the Fast Lane is the fourth studio album by the American hip hop group The Sugarhill Gang, released in 1984 on Sugar Hill Records. Track listing [ edit ]
"Vasoline" is a song by American rock band Stone Temple Pilots from their second album, Purple. The song was the second single of the album, reaching number one on the Billboard Mainstream Rock Tracks chart for two weeks. [3] The song's odd-sounding intro was created by Robert DeLeo, who ran his bass through a wah-wah pedal to get