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"Like That" is a song by American rapper Future and record producer Metro Boomin with fellow American rapper Kendrick Lamar. It was sent to US rhythmic radio through Freebandz (under the business name Wilburn Holding Co), Boominati Worldwide, Epic Records, and Republic as the third and final single from Future and Metro's collaborative studio album, We Don't Trust You, on March 26, 2024.
The surprise release of "Money Without Me" was seen as a "bridge" between "two defining moments in Kendrick's career—his Section.80 origins and the present-day dominance of his GNX era." Hit Channel wrote that "The song's poignant storytelling and throwback production style are drawing praise from fans, with many expressing nostalgia for the ...
"Element" (stylized as "ELEMENT.") is a song by American rapper Kendrick Lamar, from his fourth studio album Damn, released on April 14, 2017. The fourth track on the album (eleventh on the Collector's Edition of Damn [2]), the song was written by Lamar, Sounwave, James Blake, and Ricci Riera and produced by Sounwave, Blake, and Riera, with additional production by Tae Beast and Bēkon. [3]
Lamar and "Not Like Us" took home the award for rap song, besting several artists, including himself. He also was nominated for his collaboration with Future and Metro Boomin for “Like That.”
The song follows Lamar's album concept, which is a day in the life of a teenage Kendrick Lamar.The song is preceded by a short skit at the end of the previous track "Bitch, Don't Kill My Vibe", in which Lamar's friend tells him "K-Dot, get in the car, nigga, we finna roll out.
"Duckworth" (stylized as "DUCKWORTH.") is a song by American rapper Kendrick Lamar, taken from his fourth studio album Damn, released on April 14, 2017. The fourteenth and final track on the album (first on the Collector's Edition of Damn ), [ 2 ] the lyrics were written by Lamar while the music was written by record producer Patrick Douthit ...
Kendrick Lamar made an uncredited appearance on Future and Metro Boomin’s new album “We Don’t Trust You,” and with it delivered a series of apparently sharp, pointed words for Drake and J ...
The song has been well received by fans and critics alike. Carrie Battan of Pitchfork summarized the song as an "anthemic Californian pride cut". [4] Nick Catucci of Rolling Stone jokingly wrote "You might get a contact high from this" and went on to write "Lamar’s wafting number has rolling boulders for a beat, lines about sunlight slanting through shades and Dre explaining, 'How many ways ...