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Jaipongan, also known as jaipong, is a musical performance genre of the Sundanese people in the Sundanese language of West Java, Indonesia. Jaipongan includes revived indigenous arts, like gamelan, but it also does not ignore Western music completely despite the ban on rock and roll. It uses the sensuality found in traditional village music and ...
Among Sundanese dances perhaps Jaipongan is the most popular styles and form. Jaipongan dance could be performed solo by a female dancer, in group of female dancers, as couple between professional female and male dancers, or as couple when professional female dancers invite male audience to dance with them.
The movement of social dances, such as ronggeng and tayub are more vigorous and often erotic, closely related to Sundanese jaipongan. Because of the erotic nuances, those who perform this type of dance are sometimes perceived as intentionally being suggestive or even openly advertising sexual favors. Some examples of Javanese commoner dances
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
Jaipongan dance performance. Jaipongan is a very complex rhythmic dance music from the Sundanese people of western Java. The rhythm is liable to change seemingly randomly, making dancing difficult for most listeners. Its instruments are entirely Sundanese, completely without imported instruments.
Bajidor Kahot (from Sundanese ᮘᮏᮤᮓᮧᮁ ᮊᮠᮧᮒ᮪) is a Sundanese dance from Indonesia which combines the dance movements of Ketuk Tilu and Jaipongan as the basis of its motions. [1] What distinguishes them from the two, Bajidor Kahot dance does not optimize shoulder movement as the Jaipongan and Tap Tilu do. In the dance, hips ...
Gugum Gumbira was born in Bandung on April 4, 1945. In 1968, he married Euis Komariah (September 9, 1949 – August 11, 2011), who sang for the Jugala Orchestra. Their daughter, Mira Tejaningrum (born March 4, 1969), is a dancer and choreographer for the Jugala dance troupe.