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The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
Job 6 is the sixth chapter of the Book of Job in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] The book is anonymous; most scholars believe it was written around 6th century BCE. [3] [4] This chapter records the speech of Job, which belongs to the Dialogue section of the book, comprising Job 3:1–31:40. [5] [6]
Job 4:12-5:7: Eliphaz tries to warn Job about complaining against God because only the ungodly resent the dealings of God and by their impatience bring down his wrath upon them. Job 5:8-27: Eliphaz appeals to Job to follow a different course, to seek after God, for God only smites to heal or to correct, to draw people to himself and away from evil.
The Infant Bacchus, painting (c. 1505–1510) by Giovanni Bellini. Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [245]
In Euripides' play The Bacchae, Theban Maenads murdered King Pentheus after he banned the worship of Dionysus because he denied Dionysus' divinity.Dionysus, Pentheus' cousin, lured Pentheus to the woods—Pentheus wanted to see what he thought were the sexual activities of the women—where the Maenads tore him apart and his corpse was mutilated by his own mother, Agave.
Job 4:12-5:7: Eliphaz tries to warn Job about complaining against God because only the ungodly resent the dealings of God and by their impatience bring down his wrath upon them. Job 5:8-27: Eliphaz appeals to Job to follow a different course, to seek after God, for God only smites to heal or to correct, to draw people to himself and away from evil.
Dramatic verse occurs in a dramatic work, such as a play, composed in poetic form.The tradition of dramatic verse extends at least as far back as ancient Greece.. The English Renaissance saw the height of dramatic verse in the English-speaking world, with playwrights including Ben Jonson, Christopher Marlowe and William Shakespeare developing new techniques, both for dramatic structure and ...
The play is probably an adaptation of the play Δὶς Ἐξαπατῶν (Dis Exapaton), meaning Twice Deceiving or The Double Deceiver, by the Greek playwright Menander. [1] The beginning of it is lost, but the outline of the missing scenes can be partly reconstructed from twenty surviving fragments. [2]