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Back view of a detail from a textile from Sumba depicting an ancestor figure (Marapu) using a supplementary of the warp. Supplementary weaving is a decorative technique in which additional threads are woven into a textile to create an ornamental pattern in addition to the ground pattern. The supplementary weave can be of the warp or of the weft ...
Soumak is a type of flat weave, somewhat resembling kilim, but with a stronger and thicker weave, a smooth front face and a ragged back, where kilim is smooth on both sides. Soumak lacks the slits characteristic of kilim, as it is usually woven with supplementary weft threads as continuous supports.
Chilkat weaving and Ravenstail weaving are regarded as some of the most difficult weaving techniques in the world. A single Chilkat blanket can take an entire year to weave. In both techniques, dog, mountain goat, or sheep wool and shredded cedar bark are combined to create textiles featuring curvilinear formline designs.
Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Help. Pages in category "Supplementary weave" The following 2 pages are in this ...
Songket weaving is done in two stages, weaving the basic cloth with even or plain weaving and weaving the decoration inserted into basic cloth, this method is called "inlay weaving system". [14] The shining gold, silver or silk threads were inserted and woven into the plain weave base cloth in certain motifs, creating a shimmering effect of ...
Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
Binakael (binakel, binakol, binakul [1]) (transliterated, "to do a sphere") is a type of weaving pattern traditional in the Philippines. Patterns consisting entirely of straight lines are woven so as to create the illusion of curves and volumes. [2] A sense of motion is also sought. [3] Designs are geometric, but often representational.
The whetū (stars), purapura whetū (weaving pattern of stars) or roimata (teardrop) pattern is a geometric design using two colours and alternating between them at every stitch. This design is associated with the survival of an iwi (tribe), hapū (sub-tribe), or whānau (extended family), the idea being that it is vital to have a large whanau ...