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Sonograms of female copulatory vocalizations of a human female (top), female baboon (middle), and female gibbon (bottom), [19] with time being plotted on the x-axis and the pitch being represented on the y-axis. In non-human primates, copulatory vocalizations begin towards the end of the copulatory act or even after copulation. [2]
Toothed whale (odontocete) vocal anatomy. Most mammalian species produce sound by passing air from the lungs across the larynx, vibrating the vocal folds. [3] Sound then enters the supralaryngeal vocal tract, which can be adjusted to produce various changes in sound output, providing refinement of vocalizations. [3]
The sound of each individual's voice is thought to be entirely unique [13] not only because of the actual shape and size of an individual's vocal cords but also due to the size and shape of the rest of that person's body, especially the vocal tract, and the manner in which the speech sounds are habitually formed and articulated. (It is this ...
The avian vocal organ is called the syrinx; [12] it is a bony structure at the bottom of the trachea (unlike the larynx at the top of the mammalian trachea). The syrinx and sometimes a surrounding air sac resonate to sound waves that are made by membranes past which the bird forces air.
Some singers also perform in music videos, which are used to promote the songs. In some styles of music, singers may play a rhythm section instrument, such as rhythm guitar, electric bass or a percussion instrument while they sing. In some styles of pop, singers perform choreographed dance moves during the show.
The historical background of natural sounds as they have come to be defined, begins with the recording of a single bird, by Ludwig Koch, as early as 1889.Koch's efforts in the late 19th and early 20th centuries set the stage for the universal audio capture model of single-species—primarily birds at the outset—that subsumed all others during the first half of the 20th century and well into ...
This composition is the first symphony based on ecological themes and the first to perform, live, with whole natural soundscapes informing the orchestral form and themes, just as biophonies and geophonies inspired music (rhythm, melody, organization of sound, timbre, and dynamic) at the dawn of cultural time.