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Finches and Bamboo (11th century) by Emperor Huizong of Song by Puxian, a Beile of the Qing dynasty. Gongbi (simplified Chinese: 工笔; traditional Chinese: 工筆; pinyin: gōng bǐ; Wade–Giles: kung-pi) is a careful realist technique in Chinese painting, the opposite of the interpretive and freely expressive xieyi (寫意 'sketching thoughts') style.
In painting, it is a technique in which a paint brush that is very wet with solvent and holds a small load of paint or ink is applied to a wet or dry support such as paper or primed or raw canvas. The result is a smooth and uniform area that ideally lacks the appearance of brush strokes and is semi-transparent.
A decorator judges the quality of a brush based on several factors: filament retention, paint pickup, steadiness of paint release, brush marks, drag and precision painting. A chiseled brush permits the painter to cut into tighter corners and paint more precisely. Brush handles may be made of wood or plastic while ferrules are metal (usually ...
For painting with the dry brush a small amount of oil is used. The color is diluted with a few drops of linseed oil or solvents. From this mixture very little color is added to the brush. In the next step the brush with the color on it is spread out very well on a color palette and the oil is secreted. The brush must be dry at the end of this step.
[3] [4] In painting, naturalism is the precise, detailed and accurate representation in art of the appearance of scenes and objects. It is also called mimesis or illusionism and became especially marked in European painting in the Early Netherlandish painting of Robert Campin , Jan van Eyck and other artists in the 15th century.
Ink wash painting brushes are similar to the brushes used for calligraphy and are traditionally made from bamboo with goat, cattle, horse, sheep, rabbit, marten, badger, deer, boar and wolf hair. The brush hairs are tapered to a fine point, a feature vital to the style of wash paintings. [3] [13] Different brushes have different qualities.
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Art Nouveau line art. Line art emphasizes form and drawings, of several (few) constant widths (as in technical illustrations), or of freely varying widths (as in brush work or engraving). Line art may tend towards realism (as in much of Gustave Doré's work), or it may be a caricature, cartoon, ideograph, or glyph.