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The Coronet was first manufactured by Gibson under the Epiphone brand in 1959. It was priced at approximately $120, [1] and was seen as a reliable entry level guitar. Originally the Coronet came with a single Epiphone New York pickup [1] in the treble position. In 1959, Epiphone began shipping new Coronets with a P-90 pickup and began offering ...
It also has the coil configuration similar to the RG series that is the H-S-H coil configuration, but the pickups are different. The RG series guitars use pickups like DiMarzio Air Norton, Blue Velvet, or Tone Zone; or EMG 81, 85, 60, 707, or 808, while the Gio series use Ibanez Infinity R(H) for neck humbucker, Ibanez Infinity RS(S) for middle ...
Another way is to use the changing capacitance between the string and a pickup plate. These electronic pickups produce much higher dynamics than conventional pickups, so the difference between a soft and a loud pick strike is more pronounced than with other types of pickups. An amplification system with two transducers combines the qualities of ...
The Fender Noiseless series is a line of electric guitar pickups made by the Fender Musical Instruments Corporation designed to cancel 60 cycle (Hz) hum noise while retaining the characteristic sound of single coil pickups. Introduced in 1998, these pickups consist of a pair of single coils stacked one on top of the other, compacted so as to ...
The P-90 (sometimes written P90) is a single coil electric guitar pickup produced by Gibson Guitar Corporation since 1946, as well as other vendors. Compared to other single coil designs, such as the Fender single coil, the bobbin for a P-90 is wider but shorter. The Fender style single coil is wound in a taller bobbin, but the wires are closer ...
The Breadwinner was a solid body electric guitar made by the Ovation Guitar Company. It is one of the few solid body electrics the company ever made, and it was the first mass-produced American guitar to have active electronics. [1] It has an unusual ergonomic body made of mahogany and shaped something like an axe guitar.
The 325 was designed by Roger Rossmeisl, a guitar craftsman from a family of German instrument makers. Production models had a 20 + 3 ⁄ 4-inch (530 mm) short scale, dot fretboard inlays, and a small (12 + 3 ⁄ 4-inch-wide [320 mm]) body. The body is unbound, semi-hollow, with an angled sound hole, and boasts "crescent moon"-style cutaways.