Search results
Results From The WOW.Com Content Network
e. Dances in Iran or Iranian dances (Persian:رقص ایرانی) are dance styles indigenous to Iran. Genres of dance in Iran vary depending on the area, culture, and language of the local people, and can range from sophisticated reconstructions of refined court dances to energetic folk dances. [1] The population of Iran includes many ...
Classical Persian dance is a style of concert dance which evolved from courtroom dance. The Qajar dynasty, which reigned from 1795 to 1925, had an important influence on Persian dance. In this period, a style of dance began to be called "classical Persian dance". Dancers performed artistic dances in the court of the Shah for entertainment ...
Whirling Dervishes, at Rumi Fest 2007. Sufi whirling (or Sufi turning) (Turkish: Semazen borrowed from Persian Sama-zan, Sama, meaning listening, from Arabic, and zan, meaning doer, from Persian) is a form of physically active meditation which originated among certain Sufi groups, and which is still practiced by the Sufi Dervishes of the Mevlevi order and other orders such as the Rifa'i-Marufi.
Iran has one of the oldest, richest and most influential art heritages in the world which encompasses many disciplines including literature, music, dance, architecture, painting, weaving, pottery, calligraphy, metalworking, embroidery and stonemasonry. Intricate stone art of Persepolis. Iranian art has gone through numerous phases, which is ...
There are many dance styles common in Luri-inhabited areas. The most prevalent Luri dance styles are handkerchief dance, Chupi dances (SanguinSama; slow rhythm along with strike and fiddle, Se-Pa (three steps) dance that is performed faster than SanguinSama, and Du-Pa (Two steps) dance that is the fastest and the most exciting performance), and the stick dance (Çubâzi or Tarka-bâzi)(like ...
Pages in category "Iranian dances". The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes . Iranian dance.
Iran's symphonic music, as observed in the modern times, was developed by the late Qajar and early Pahlavi periods. In addition to instrumental compositions, some of Iran's symphonic pieces are based on the country's folk songs, and some are based on poetry of both classical and contemporary Iranian poets. [17]
In modern times, Bahram Beyzai has made the most significant contribution in the historiography of Persian theatre with his seminal book, A Study on Iranian Theatre (1965). [25] Other works include Willem Floor's book, The History of Theater in Iran (2005), [26] and William O. Beeman's book, Iranian Performance Traditions (2011). [27]