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Rachel Ruysch (3 June 1664 – 12 October 1750) [1] was a Dutch still-life painter from the Northern Netherlands. She specialized in flowers, inventing her own style and achieving international fame in her lifetime. Due to a long and successful career that spanned over six decades, she became the best documented female painter of the Dutch ...
The Hague. Flowers in a terracotta vase with fruit on a stone balustrade. ca. 1700. 99 cm x 83 cm. PD.88-1973. Fitzwilliam Museum. Cambridge. Flowers in a glass vase, with insects and peaches, on a marble tabletop. 1701.
National Museum of Women in the Arts, Washington, D.C. Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge (1688) is an oil on canvas painting by the Dutch painter Rachel Ruysch. It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts, in Washington, D.C. .
Rachel Ruysch had many followers. At some point in the 18th-century, this painting was copied, and the copy is kept at the Ashmolean museum.A well-documented copyist of Ruysch's works was the Dutch painter Catharina Backer, who also owned two of Ruysch's paired large canvases, commissioned by her father-in-law, the art collector Pieter de la Court van der Voort, in 1710.
Original – Still-Life with Flowers is an oil on canvas painting by Rachel Ruysch (1664-1750), an artist from the Northern Netherlands whose career spanned over 60 years. Reason good quality image (through the Google Art Project) of a painting which is typical of Ruysch's style. Included in the gallery of the article on the artist.
Still Life Paintings from the Netherlands 1550–1720, (Dutch: Het Nederlandse Stilleven 1550–1720) is a 1999 art exhibition catalog published for a jointly held exhibition by the Rijksmuseum Amsterdam (19 June – 9 September 1999) and Cleveland Museum of Art (31 October 1999 – 9 January 2000). The catalog included detailed discussions of ...
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The painting illustrates the model the women worked from, as well as the relative value of Ruysch's work over that of Elliger later in the 18th-century. Haverman was registered as a pupil of the flower painter Jan van Huysum , who was known for guarding his secrets and keeping his painting knowledge in the family.