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Shakespeare on the other hand shared a reciprocal love with both his lovers; the objects of his love were “articulate, active partners.” [20] Shakespeare's sonnets are divided between his two lovers: sonnets 1–126 for a male, and sonnets 127–152 for a female; the first to a fair youth, and the second to a dark lady. Petrarch's sonnets ...
Shakespeare's sonnets are considered a continuation of the sonnet tradition that swept through the Renaissance from Petrarch in 14th-century Italy and was finally introduced in 16th-century England by Thomas Wyatt and was given its rhyming metre and division into quatrains by Henry Howard.
These 36 poems were written in a hybrid form based on the Petrarchan sonnet that invariably ends with a rhyming couplet reminiscent of the Shakespearean sonnet. [108] Most of these poems are discontinuous, though unified by theme, being vignettes descriptive of the kinds of dreamed and otherworldly scenarios found in Lovecraft's fiction. [109]
The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, [1] although it was not developed by Petrarch himself, but rather by a string of Renaissance poets. [2] Because of the structure of Italian, the rhyme scheme of the Petrarchan
Variations of both the Petrarchan sonnet and the Shakespearean sonnet were employed by the Romantic poets in the wake of the late 18th century revivalists of the form, who had applied the sonnet to a wider variety of subjects than in previous centuries. Experiments in making the sonnet more expressive and more adaptable still, begun by the ...
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Milton’s Sonnet 18 is written in iambic pentameter, with ten syllables per line, and consists of the customary 14 lines. Milton's sonnets do not follow the English (Shakespearean) sonnet form, however, but the original Italian (Petrarchan) form, as did other English poets before him (e.g. Wyatt) and after him (e.g. Elizabeth Browning). This ...