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Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. [3] He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians.
Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's hometown.
A Cart on the Snowy Road at Honfleur (French: La Charrette, route sous la neige à Honfleur) is an oil-on-canvas snowscape painting by French impressionist Claude Monet. The painting depicts a man on a wooden cart travelling along a snow-laden road in Honfleur. [2] A Cart on the Snowy Road at Honfleur is one of nearly 140 snowscapes painted by ...
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
The Red Cape, also sometimes known as Madame Monet or The Red Kerchief, [2] is an oil-on-canvas snowscape by French impressionist Claude Monet, from c. 1868-1873. The painting depicts Claude Monet's first wife, Camille, dressed in a red cape, passing outside of a window. [3] Monet painted the painting while living in Argenteuil. [2]
The first Impressionist exhibit, arranged by the "Société Anonyme des Artistes Peintres, Sculpteurs, Graveurs, etc.," was held at 35 Boulevard des Capucines in the studio of prominent photographer Félix Nadar from April 15 to May 15, 1874, the same location where Monet painted Boulevard des Capucines.
Two women were detained in Stockholm after they threw “some kind of paint" at a painting by French artist Claude Monet and then glued themselves to the frame, Sweden's National Museum said ...
The trees, which actually belonged to the commune of Limetz, were put up for auction before Monet had completed all of his paintings. At a certain point, Monet was forced into buying the trees because he still wasn't finished with his paintings. After he finished the series he sold the trees back to the lumber merchant who wanted them. [1]