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Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space.
The Bronze Horseman, the most famous sculputure of Falconet, representing Czar Peter I of Russia. Étienne Maurice Falconet (1 December 1716 – 24 January 1791) was a French baroque, rococo and neoclassical sculptor, best-known for his equestrian statue of Peter the Great, the Bronze Horseman (1782), in St. Petersburg, Russia, and for the small statues he produced in series for the Royal ...
17th-century French art is generally referred to as Baroque, but from the mid- to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
The reign of Louis XIV (1643-1715) largely coincided with the era of Baroque sculpture, but the French King resisted the Baroque style. The great master of Baroque sculpture, Bernini, made one trip to Paris, and criticized the work of French sculptors as "a style that is small, sad, and gloomy." He made a statue of the King, saw his plan for ...
The Baroque (UK: / b ə ˈ r ɒ k / bə-ROK, US: /-ˈ r oʊ k /- ROHK; French:) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. [1]
The Hall of Mirrors (French: Grande Galerie, Galerie des Glaces, Galerie de Louis XIV) is a grand Baroque style gallery and one of the most emblematic rooms in the royal Palace of Versailles near Paris, France. The grandiose ensemble of the hall and its adjoining salons was intended to illustrate the power of the absolutist monarch Louis XIV.
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The Bust of Louis XIV is a marble portrait by the Italian artist Gian Lorenzo Bernini.It was created in the year 1665 during Bernini's visit to Paris.This sculptural portrait of Louis XIV of France has been called the "grandest piece of portraiture of the Baroque age". [1]