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Kassia, Cassia or Kassiani (Greek: Κασσιανή, romanized: Kassianí, pronounced; c. 810 – before 865) was a Byzantine-Greek composer, hymnographer and poet. [1] She holds a unique place in Byzantine music as the only known woman whose music appears in the Byzantine liturgy. [2]
Women were generally the subject of the writings of troubadours, however: "No other group of poets give women so exalted a definition within so tightly circumscribed a context of female suppression." [ 13 ] The tension between the suppression of women present in the poetry of the troubadours and similar themes in the poetry of the trobairitz is ...
Lynne wrote the song quickly when Face the Music was almost complete but he didn't think they had a good lead single. [3] Lynne said: I wrote this in a matter of minutes. The rest of the album was done. I listened to it and thought, 'There’s not a good single.' So I sent the band out to a game of football and made up 'Evil Woman' on the spot.
Lo Boièr is a song with a slow, alternate rhythm. The third verse of every stanza is a mantric-sounding succession of vowels as a sort of refrain. [5] [6] The song's lyrics tells the story of an oxherd who finds his wife ill and tries to comfort her with food, which the woman replies to by serenely explaining the way she wants to be buried after she dies.
Attention in recent decades to women of the medieval Catholic Church has led to a great deal of popular interest in Hildegard's music. In addition to the Ordo Virtutum , 69 musical compositions, each with its own original poetic text, survive, and at least four other texts are known, though their musical notation has been lost. [ 58 ]
A modern version of these medieval chains is seen in the Faroese chain dance, the earliest account of which goes back only to the 17th century. [19] In Sweden too, medieval songs often mentioned dancing. A long chain was formed, with the leader singing the verses and setting the time while the other dancers joined in the chorus.
The song is a virelai, belonging to the style ars nova, and is one of the most often heard medieval tunes today. Many modern recordings omit the lyrics, however. One of the most famous musical pieces of the Middle Ages, 'Douce Dame' has been performed by a plethora of artists, mostly but not always in medieval style.
The sexes are reversed in the German ballad Es freit ein wilder Wassermann, recorded 1813 in Joachimsthal, Brandenburg, where a male water spirit woos a young woman. The song in the 1877 version has become popular in the Neofolk, Folk rock or Neo-Medieval musical genres since the late 1990s, following its inclusion in the album Guds spelemän ...