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Biological illustration. Illustration from the book Histoire naturelle by Louis Renard, published in Amsterdam in 1754. Biological illustration is the use of technical illustration to visually communicate the structure and specific details of biological subjects of study. This can be used to demonstrate anatomy, explain biological functions or ...
Chōjū-jinbutsu-giga (鳥獣人物戯画, literally "Animal-person Caricatures"), commonly shortened to Chōjū-giga (鳥獣戯画, literally "Animal Caricatures"), is a famous set of four picture scrolls, or emakimono, belonging to Kōzan-ji temple in Kyoto, Japan. The Chōjū-giga scrolls are also referred to as Scrolls of Frolicking Animals ...
The Nazca used this technique to "draw" several hundred simple, but huge, curvilinear animal and human figures. In total, the earthwork project is huge and complex: the area encompassing the lines is nearly 450 km 2 (170 sq mi), and the largest figures can span nearly 370 m (1,200 ft). [ 7 ]
Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
Dürer's Rhinoceros is the name commonly given to a woodcut executed by German artist Albrecht Dürer in 1515. [a] Dürer never saw the actual rhinoceros, which was the first living example seen in Europe since Roman times. Instead the image is based on an anonymous written description and brief sketch of an Indian rhinoceros brought to Lisbon ...
Paleoart (also spelled palaeoart, paleo-art, or paleo art) is any original artistic work that attempts to depict prehistoric life according to scientific evidence. [1] Works of paleoart may be representations of fossil remains or imagined depictions of the living creatures and their ecosystems. While paleoart is typically defined as being ...
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Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted. [29] Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal.