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GLENN MILLER'S 125 Jazz Breaks for Trombone. $1.00." [2] An ad for the sheet music also appeared in the 1928 Metronome, Volume 44, Page 42. The songbook contained the sheet music for 125 jazz breaks or improvisations for trombone with piano accompaniment in different keys. The Melrose Bros. Music Company was founded by Walter Melrose and Lester ...
Trombone first saw use in the jazz world with its entrance into traditional jazz where it played along with the chord changes, often connecting the seven to third or third to root resolutions of cadences, allowing the other musicians of the group to improvise along with it. In a standard dixie group, the players marched through the streets or ...
"The Jazz Breaks are works of recognized Jazz artists who have made national reputations. JAZZ BREAKS. Benny Goodman's 125 Jazz Breaks for Sax and Clarinet. $1.00. GLENN MILLER'S 125 Jazz Breaks for Trombone. $1.00." An ad for the sheet music also appeared in the 1928 "Metronome", Volume 44, Page 42.
1949: Modern Jazz Trombones (Prestige) – B-side of 10 inch album, released 1951. Kai Winding on A-side; 1949: J. J. Johnson with Sonny Stitt (Prestige) – also issued as part of 1951's, 10 inch Modern Jazz Trombones Volume Two. Also reissued in 1957 as part of Sonny Stitt/Bud Powell/J. J. Johnson; 1952: Jazz South Pacific (Regent / Savoy)
Trombone Shorty at age five, with the Carlsberg Brass Band, New Orleans Jazz & Heritage Festival, 1991. Andrews was one of seven children of James Andrews Jr. and Lois Andrews. He was born in and grew up in the Tremé neighborhood of New Orleans, where was he was exposed to jazz, R&B and music-related traditions such as second line parades. [2]
Steve Turre (né Stephen Johnson Turre; born 12 September 1948 Omaha, Nebraska) is an American jazz trombonist, a pioneering musical seashell virtuoso, a composer, arranger, and educator at the collegiate-conservatory level who, for sixty-one years, has been active in jazz, rock, and Latin jazz – in live venues, recording studios, television, and cinema production.
Johnson's work in the 1940s and 1950s demonstrated that the slide trombone could be played in the bebop style; as trombonist Steve Turre has summarized, "J. J. did for the trombone what Charlie Parker did for the saxophone. And all of us that are playing today wouldn't be playing the way we're playing if it wasn't for what he did.
Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era – Pee Wee Russell once called him "the best trombone player in the world". [12]