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It is often referred to as the Ring cycle, Wagner's Ring, or simply The Ring. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the Ring cycle are, in sequence: Das Rheingold (The Rhinegold) Die Walküre (The Valkyrie) Siegfried; Götterdämmerung (Twilight of the Gods)
Götterdämmerung (German: [ˈɡœtɐˌdɛməʁʊŋ] ⓘ; Twilight of the Gods), [1] WWV 86D, is the last of the four epic music dramas that constitute Richard Wagner's cycle Der Ring des Nibelungen (English: The Ring of the Nibelung).
The Wagner memorial in the Liebethaler Grund near Dresden. Wagner probably conceived Siegfried's Tod during long walks in this picturesque valley.. According to the composer's own account – as related in his autobiography Mein Leben – it was after the February Revolution that he began to sketch a play on the life of the Hohenstaufen Holy Roman Emperor Friedrich Barbarossa.
Wagner's Der Ring des Nibelungen, commonly referred to as the Ring cycle, is a set of four operas based loosely on figures and elements of Germanic mythology—particularly from the later Norse mythology—notably the Old Norse Poetic Edda and Volsunga Saga, and the epic poem Nibelungenlied.
Wagner wrote the Ring librettos in reverse order, so that Das Rheingold was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874.
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Siegfried (German: [ˈziːk.fʀiːt] ⓘ), WWV 86C, is the third of the four epic music dramas that constitute Richard Wagner's cycle Der Ring des Nibelungen (English: The Ring of the Nibelung). It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring cycle.
Arthur Rackham's illustration to The Ride of the Valkyries. The Ride of the Valkyries (German: Walkürenritt or Ritt der Walküren) is the popular name of the prelude to the first scene of the third and last act of Die Walküre, the second of the four epic music dramas that constitute the operatic cycle Der Ring des Nibelungen (English: The Ring of the Nibelung), composed by Richard Wagner