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Exaggeration is the representation of something as more extreme or dramatic than it is, intentionally or unintentionally. It can be a rhetorical device or figure of speech , used to evoke strong feelings or to create a strong impression.
Hyperbole (/ h aɪ ˈ p ɜːr b əl i / ⓘ; adj. hyperbolic / ˌ h aɪ p ər ˈ b ɒ l ɪ k / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a ...
Adynaton: an extreme form of hyperbole (exaggeration). It the opposite of understatement. Allegory: a metaphoric narrative in which the literal elements indirectly reveal a parallel story of symbolic or abstract significance. [13] [14] [15] Allusion: covert reference to another work of literature or art.
Exaggeration An exaggeration (or hyperbole) occurs when the most fundamental aspects of a statement are true, but only to a certain degree. It is also seen as "stretching the truth" or making something appear more powerful, meaningful, or real than it actually is.
to add an exaggeration, or to change the arrangement of words or clauses in a sequence to increase force. Amplification may refer to exaggeration or to stylistic vices such as figures of excess or superfluity (e.g., hyperbole).
An exaggeration occurs when the most fundamental aspects of a statement are true, but only to a certain degree. It also is seen as "stretching the truth" or making something appear more powerful, meaningful, or real than it is. Saying that someone devoured most of something when they only ate half is considered an exaggeration.
Exaggeration is an effect especially useful for animation, as animated motions that strive for a perfect imitation of reality can look static and dull. [12] The level of exaggeration depends on whether one seeks realism or a particular style, like a caricature or the style of a specific artist.
Accumulatio – the emphasis or summary of previously made points or inferences by excessive praise or accusation.; Actio – canon #5 in Cicero's list of rhetorical canons; traditionally linked to oral rhetoric, referring to how a speech is given (including tone of voice and nonverbal gestures, among others).