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This is used with audio tapes to control playback. A typical scenario has an audio recording on the "left" track and short bursts of 5327 Hz at key locations within the audio. The program then starts the tape motor, causing the audio to be routed through the television speaker, waiting for a 1 to appear on the I/O port.
TASCAM used Hi8 tapes to develop an 8-track professional digital audio format called DTRS (Digital Tape Recording System). The format was first used in the DA-88 and similar models. [19] While the cassettes are physically interchangeable, these recordings are not interchangeable with 8mm video formats.
Digital8 machines run tape at 29 mm per second, faster than baseline DV (19 mm/s) and comparable to professional DV formats like DVCAM (28 mm/s) and DVCPRO (34 mm/s). A 120-minute 8-mm cassette holds 106 m of tape and can store 60 minutes of digital video. A standard DVCPRO cassette holds 137 m of tape, good for 66 minutes of video.
Digital audio cassette formats introduced to the professional audio and consumer markets: Digital Audio Tape (or DAT) is the most well-known, and had some success as an audio storage format among professionals and "prosumers" before the prices of hard drive and solid-state flash memory -based digital recording devices dropped in the late 1990s.
Cassette tape, a two-spool tape cassette format for analog audio recording and playback and introduced in 1963 by Philips; DC-International, a format that was created by Grundig after Phillips had abandoned an earlier format that was being created alongside the Compact Cassette; 8-track tape, continuous loop tape system introduced in 1964
Another competing format, the Digital Audio Tape (DAT), had by 1992 also failed to sell in large quantities to consumers, although it was popular as a professional digital audio storage format. The DCC form factor is similar to the analog compact cassette (CC), and DCC recorders and players can play back either type: analog as well as DCC.