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Sinfonía (de profundis) für Orchester (1957) Concierto para Piano y Orquesta (1958) Konzert für Cello und Orchester (1983) Konzert für Schlagzeug und Orchester (1984) Concierto für Flöte, Gitarre, Orchester (1987) Variationen für Orchester (1992) Concierto para Guitarra y Orquesta für Gitarre, Orchester (1964/2003)
Image by Marie Therese de Belder. Ricardo Llorca (born 1958, Alicante) is a Spanish-American Composer based in New York City since 1988. Llorca is a Juilliard School graduate and a faculty member of "The Juilliard School of Music Evening Division" since 1995.
Siciliana, Op. 19 for cello and piano; Souvenir de la Sonnambula, Op. 5 for cello and piano; Tarantella, Op. 23 for cello and piano; Tema e Variazioni for cello and piano; The race – La corsa for cello and piano; Twenty-One Hungarian Dances (1881, Brahms-Piatti) Ástor Piazzolla. Tres piezas Breves; Le Grand Tango for cello and piano; Gabriel ...
Hélène de Montgeroult (1764–1836) Leopold Mozart ... Gran concierto en Re Mayor para piano y orquesta; Late-Romantic; post-Romantic Alexei Stanchinsky: 1888: 1914:
Enrique Soro Barriga (July 15, 1884 – December 03, 1954) was a Chilean composer and pianist. He won the National Prize of Art of Chile in 1948. [1] [2]Considered one of the first Chilean symphonists, he carried out his first studies in Concepción with Clotilde de la Barra (piano) and Domingo Brescia (harmony and counterpoint).
The piano builds in a triplet pattern to introduce the D minor theme (now in Bb major) in an augmentation in a triumphant tutti. At the climax the piano comes in with a contrapuntal solo. After a minute of the fugato, the orchestra returns, playing the melody in the high winds.
"Piano Concerto No. 1" is a composition for piano and orchestra by the British musician Keith Emerson. It was released on the 1977 album Works Volume 1, by the progressive rock band Emerson, Lake & Palmer. The piece is 18 minutes long, and takes up the whole first side on the album.
The piece is scored for solo piano, accompanied by string orchestra. Several recordings of the concerto have been made. The concerto is in three movements, the middle being the longest. An analysis by musicologist student Wilhelm Delport in 2015 rediscovered that the first and third movements borrow heavily from a Tyrolean Volkslied named ...