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Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
Bricks were preferably used in constructions to battle termites. Sometimes the ho trai would be built, especially for this reason, above man-made ponds. Traditionally, the Tipiṭaka scriptures consisted of individual palm leaves, each measuring around 50 centimetres (20 in) in length and around 4 to 6 centimetres (1.6 to 2.4 in) in width.
Thành hoàng (chữ Hán: 城隍) or Thần hoàng (神隍), Thần Thành hoàng (神城隍) refers to the gods or deities that are enshrined in each village's Đình in Vietnam.
Đông Hồ painting depicts Phù Đổng Thiên Vương Statue of little Thánh Gióng at Phù Đổng Six-Way Intersection, Ho Chi Minh City. Thánh Gióng (chữ Nôm: 聖揀), [1] also known as Phù Đổng Thiên Vương (chữ Hán: 扶董天王, Heavenly Prince of Phù Đổng), Sóc Thiên Vương (chữ Hán: 朔天王), Ông Gióng (翁揀, sir Gióng) [2] [3] and Xung Thiên Thần ...
The origin of Kim Hoàng painting was dated back to the 18th century during the reign of the Lê dynasty.The pictures were made in the Kim Hoàng village, now in Hoài Đức (), [3] which was one of the few place where folk paintings were made in Vietnam during the dynastic time, along with Hàng Trống, Đông Hồ and Sình village. [4]
Đinh Bộ Lĩnh was born in 924 in Hoa Lư (south of the Red River Delta, in what is today Ninh Bình Province).Growing up in a local village during the disintegration of the Chinese Tang dynasty that had dominated Vietnam for centuries, Đinh Bộ Lĩnh became a local military leader at a very young age.
Trần Hưng Đạo (Vietnamese: [ʈə̂n hɨŋ ɗâːwˀ]; 1228–1300), real name Trần Quốc Tuấn (陳國峻), also known as Grand Prince Hưng Đạo (Hưng Đạo Đại Vương – 興道大王), was a Vietnamese royal prince, statesman and military commander of Đại Việt military forces during the Trần dynasty.
The origin of Hàng Trống painting dates back to the 16th century during the reign of the Lê dynasty.Different from the countryside Đông Hồ, the manufacturing area of Hang Trong painting is located in the Tiêu Túc (later changed to Thuận Mỹ) district in the very heart of Hanoi which is now the quarter between Hàng Trống, Hàng Nón, Hàng Hòm and Hàng Quạt streets.