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Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in abundance." Hirsch notes that there are unifying features of tone, visual style and narrative sufficient to classify noir as a distinct genre. [14] Others argue that film noir is not a genre.
Jesus Christ Superstar: 1973 August 15 Norman Jewison: Godspell: 1973 August 24 David Greene A Charlie Brown Thanksgiving: 1973 November 20 Bill Melendez, Phil Roman: Jesus: 1973 December 21 P. A. Thomas: Luther: 1974 January 21 Guy Green The Abdication: 1974 October 3 Anthony Harvey Thomasleeha: 1975 July 19 P. A. Thomas: Rooster Cogburn: 1975 ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
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The program had previously been involved in the making of five feature films, as it attempted to incorporate one full-length movie every year into its curriculum. [14] One of its past projects, Extraordinary (2017), was released in 600 theaters nationwide, making it the first film in the United States to be both theatrically distributed and ...
Gospel Road: A Story of Jesus (1973) Jesus Christ Superstar (1973) The Passover Plot (1976) Jesus of Nazareth (1977) The Nativity (1978, TV) Jesus (1979) Journey to Bethlehem (2023) The New Media Bible: The Gospel According to St. Luke (1979) A Child Called Jesus (1987) The Last Temptation of Christ (1988) The Revolutionary (1995) The ...
Detour is a 1945 American independent [2] [3] film noir directed by Edgar G. Ulmer, and starring Tom Neal and Ann Savage.The screenplay was adapted by Martin Goldsmith and an uncredited Martin Mooney from Goldsmith's 1939 novel of the same title, and released by the Producers Releasing Corporation, one of the so-called Poverty Row film studios in mid-20th-century Hollywood.
[2] [5] It was a pioneer in the genre of Christian film, bringing rock music and elements of horror film to a genre then dominated by family-friendly evangelism. [ 2 ] [ 5 ] A quarter century later, the authors of the broadly successful Left Behind series of books and films acknowledged their debt to Thief .