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In Europe, flower arranging as a formal art was first documented among the Dutch, who "in particular, painted wonderful informal arrangements of flowers. In the 18th century, arrangements were used to decorate the houses of the wealthy families and the aristocracy." [2] Flower symbolism is common in many cultures and can be complex.
Cell (Arch of Hysteria) (1992–1993). Steel, bronze, cast iron, and fabric. 119 × 145 × 120 inches. Centro Andaluz de Arte Collection. [3] Arch of Hysteria (1993 ...
Festoon of the Panthéon, Paris, by Jacques-Germain Soufflot and Jean-Baptiste Rondelet, 1758–1790 [1]. A festoon (from French feston, Italian festone, from a Late Latin festo, originally a festal garland, Latin festum, feast) is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound ...
Sequins may be stitched flat to the fabric, so they do not move, and are less likely to fall off; or they may be stitched at only one point, so they dangle and move easily, catching more light. Some sequins are made with multiple facets, to increase their reflective ability, while others are stamped out with lobes resembling flower petals.
Curtain rod finials can be seen to act much like a barometer of public taste. Many designs hark back to the Gothic and Neogothic of architectural finials, while other contemporary finials reflect minimalist, Art Nouveau, and other traditional styles of decor. The use of different materials is as wide as the range of designs with brass ...