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Whitman used several new techniques in the poem. One is the use of images like bird, boy, sea. The influence of music is also seen in opera form. Some critics have taken the poem to be an elegy mourning the death of someone dear to him. The basic theme of the poem is the relationship between suffering and art.
The Age of Anxiety: A Baroque Eclogue (1947; first UK edition, 1948) is a long poem in six parts by W. H. Auden, written mostly in a modern version of Anglo-Saxon alliterative verse. The poem deals, in eclogue form, with man's quest to find substance and identity in a shifting and increasingly industrialized world.
The symbols in Angelou's poem (the tree, the river, and the morning, for example) paralleled many of the same symbols Clinton used in his speech, and helped to enhance and expand Clinton's images. [14] Clinton's address and the poem, according to Hagen, both emphasized unity despite the diversity of American culture. [12] "On the Pulse of ...
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
The Harvill Book of Twentieth-Century Poetry in English, 1999; Hinterland: Caribbean Poetry from the West Indies and Britain, 1989; Hyakunin Isshū (13th century) (one hundred people, one poem), compiled by the 13th-century Japanese poet and critic Fujiwara no Teika, an important collection of Japanese waka poems from the 7th through the 13th ...
Endymion is a poem by John Keats first published in 1818 by Taylor and Hessey of Fleet Street in London. John Keats dedicated this poem to the late poet Thomas Chatterton. The poem begins with the line "A thing of beauty is a joy for ever". Endymion is written in rhyming couplets in iambic pentameter (also known as heroic couplets).
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The poems contain numerous references to pop culture and literary figures, New York locations, and O'Hara's friends. One common theme is a desire for personal connection, whether the one on one connection of two friends or two lovers or a broader connection to strangers, in the face of tragedy, for example. [4] The following are examples of this: