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Shiwan ware (Chinese: 石灣窯; pinyin: Shíwān yáo; Cantonese Jyutping: Sek6 waan1 jiu4) is Chinese pottery from kilns located in the Shiwanzhen Subdistrict of the provincial city of Foshan, near Guangzhou, Guangdong. It forms part of a larger group of wares from the coastal region known collectively as "Canton stonewares". [1]
Women wore ruqun consisting of short jackets and long skirts. [61] The women's skirts were characterized with high waistline which created a silhouette which looked similar to the Empire dresses of Napoleonic France; however, the construction of the assemble differed from the ones worn in Western countries as Han Chinese women assemble ...
Early blue and white porcelain, c. 1351. The Mongol Yuan dynasty enforced the movement of artists of all sorts around the Mongol Empire, which in ceramics brought a major stylistic and technical influence from the Islamic world in the form of blue and white porcelain, with underglaze painting in cobalt.
Two sancai-glazed horses and groom, c. 728, from the tomb of the general Liu Tingxun Painted cross-dressing woman playing polo. Tang dynasty tomb figures are pottery figures of people and animals made in the Tang dynasty of China (618–906) as grave goods to be placed in tombs.
The blue colour is more violet or royal blue in tone, which is different in shade from the blue used in Ming dynasty porcelain. The ability to achieve colour gradation famille verte is limited. The coloured enamels are often painted over the pure white body of the porcelain which comes over through the glaze.
Tang dynasty tomb figure, sancai horse, 7–8th century, also using blue, as on the saddle. Sancai (Chinese: 三 彩; pinyin: sāncǎi; lit. 'three colours') [1] is a versatile type of decoration on Chinese pottery and other painted pieces using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white.
One image includes a man with blond hair and western dress, likely an influence from the Silk Road trading route. A Tang dynasty tomb decorated with colorful murals is providing a new glimpse into ...
Women as motifs: the beautiful young woman (美人 meiren) was a common motif in decorative handicrafts for she symbolized the pleasure of viewing the object and real-life women as well. [39] Women in white make-up was also a comparison for the measure of whiteness on the surfaces of vases and handicrafts and often depicted with white porcelain ...
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