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Good Bye, Lenin! is a 2003 German tragicomedy film, directed by Wolfgang Becker.The cast includes Daniel Brühl, Katrin Sass, Chulpan Khamatova, and Maria Simon.The story follows a family in East Germany (GDR); the mother (Sass) is dedicated to the socialist cause and falls into a coma in October 1989, shortly before the Peaceful Revolution in November.
Good Bye, Lenin! is the original soundtrack album of the film of the same title starring Daniel Brühl and Katrin Sass. The music is composed by Yann Tiersen, with the exception of the non-instrumental version of "Summer 78" sung by Claire Pichet. This album has been released with the Copy Control protection system in some regions.
This page was last edited on 19 May 2019, at 21:51 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply ...
Unser Sandmännchen is featured in the 2003 film Good Bye, Lenin!. The German industrial metal band Rammstein uses the opening monologue from the West German Sandmännchen, Nun, liebe Kinder, gebt fein Acht. Ich habe euch etwas mitgebracht (Now, dear children, pay attention. I have brought you something), in the intro to their song "Mein Herz ...
Her ghost then explains that, for her, it's 2018 and she's been asked to host the SAG Awards for the first time. This then prompts her to do the math on Bell's current age, angering the present ...
Wolfgang Becker (22 June 1954 – 12 December 2024) was a German film director and screenwriter, best known to international audiences for his work Good Bye, Lenin! (2003). [1] He was a co-founder of the production company X Filme Creative Pool, which produced his first successful feature film, Das Leben ist eine Baustelle, in 1997.
The last image we have of Patrick Cagey is of his first moments as a free man. He has just walked out of a 30-day drug treatment center in Georgetown, Kentucky, dressed in gym clothes and carrying a Nike duffel bag.
Released 17 years after the fall of the Berlin Wall, marking the end of the German Democratic Republic, it was the first notable drama film about the subject after a series of comedies such as Good Bye, Lenin! and Sonnenallee. This approach was widely applauded in Germany, and the film was complimented for its accurate tone despite some ...