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Totto-Chan: The Little Girl at the Window (Japanese: 窓ぎわのトットちゃん, Hepburn: Madogiwa no Totto-chan) is a 2023 Japanese animated biographical film written and directed by Shinnouske Yakuwa with Yōsuke Suzuki as a co-writer; the film is based on an autobiographical novel of the same title by Tetsuko Kuroyanagi.
Upin and Ipin. Upin and Ipin is a five-year-old twin brothers who lived in a house in Kampung Durian Runtuh with their older sister, Kak Ros, and grandmother, Opah. They had become orphans, as their parents died during their infancy.
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Barefoot Gen (はだしのゲン, Hadashi no Gen) is a Japanese historical manga series by Keiji Nakazawa, loosely based on Nakazawa's experiences as a survivor of the Hiroshima atomic bombing.
The coming years would see additional hand-drawn animated shorts: 1984's Sang Kancil dan Monyet (The Mousedeer and the Monkey) and a 1987 follow-up, Sang Kancil dan Buaya (The Mousedeer and the Crocodile); 1985's Gagak Yang Bijak (The Clever Crow); and Arnab Yang Sombong (The Proud Rabbit) and Singa Yang Haloba (The Greedy Lion) both released in 1986, all written and directed by Hassan Abd.
In the 21st century, various mysterious events occur on Earth, causing monsters to appear all of a sudden. EGG3 officer Chouichirou Hikari was scouted to join the Science Defense Squad on Earth but while on his way back, he was bonded to Ultraman Jonias, an Ultra-Person of U-40 who was sent by his brethren to fight against the monster threats and alien invasions.
The Toei 6000 series (都営6000形, Toei 6000-gata) is an electric multiple unit (EMU) train type operated by the Tokyo subway operator Tokyo Metropolitan Bureau of Transportation (Toei) on the Toei Mita Line in Tokyo, Japan, between 1968 and 1999, and subsequently on the Chichibu Railway (since 1999), Kumamoto Electric Railway, and Kereta Commuter Indonesia in Indonesia (from 2000 until 2016).
The roles of women in Indonesia today are being affected by many factors, including increased modernization, globalization, improved education and advances in technology. . Many Indonesian women choose to reside in cities instead of staying in townships to perform agricultural work because of personal, professional, and family-related necessities, and economic requiremen