Ad
related to: tatzelwurm sculpture images black and white outline of flowers paintings
Search results
Results From The WOW.Com Content Network
Bergstutz or Stollwurm. In the folklore of the Alpine region of south-central Europe, the Tatzelwurm (German: [ˈtatsl̩ˌvʊʁm]), Stollenwurm, or Stollwurm is a lizard-like creature, often described as having the face of a cat, with a serpent-like body which may be slender or stubby, with four short legs or two forelegs and no hindlegs.
The book contains contributions by European and American ethnologists, art historians and collectors on aspects of traditional sculptural art from Tanganyika. More than 500 black-and-white photographs of sculptures and masks from public and private collections as well as maps, illustrations and a bibliography complement the individual chapters ...
Vase of Flowers; Vase of Flowers (van Huysum) A Vase of Flowers (1716) Vase of Flowers and Conch Shell; Vase of Flowers in a Window Niche; Vase with Irises Against a Yellow Background; Vase with Poppies; Vase with White and Red Carnations
University of Michigan Museum of Art [13] Head of a Man, Flowered Background: Tête d'homme, fond fleuri: 1914 Etching on paper 24.4 x 19.4 cm Ann Arbor University of Michigan Museum of Art [14] Irene - Face: Irène - Masque: 1914 Etching on chine collé 8.25 cm x 5.72 cm Ann Arbor University of Michigan Museum of Art [15]
Bram Stoker used this legend in his short story Lair of the White Worm. [17] The sighting of a "whiteworm" once was thought to be an exceptional sign of good luck. [16] A painting of the city of Worms and the Lindworm, as depicted in the story by Juspa Schammes. The painting was displayed in Cold Synagogue, Mogilev.
An older, but similar work by O'Keeffe, Jimson Weed/White Flower No. 1 (1932), focusing on only a single flower, was sold by the Georgia O'Keeffe Museum at auction to Walmart heiress Alice Walton in 2014 for $44,405,000, more than tripling the previous world record auction for a piece by a female artist. [5]
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
The recordings from Africa include paintings of domestic animals (Steppe, 1989–1990), their unpathetic deaths (Prey, 1990) and an impressive black and white still life with an animal skull and skeleton (Still Life, 1988). Franta's paintings of African-Americans in New York have a very different character.