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Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
A condong figure in wayang kulit (before 1900). The condong dance originated in the palaces of Bali in the mid-19th century. Its creator is not known, [1] but folk history suggests that a prince of Sukawati, deathly ill, saw a vision of two beautiful girls dancing gracefully while accompanied by gamelan music; upon regaining his health, this prince recreated the dance he had seen. [2]
The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
Pendet dance (Balinese: ᬧᭂᬦ᭄ᬤᭂᬢ᭄, igélan pendet) is a traditional dance from Bali, Indonesia, in which floral offerings are made to purify the temple or theater as a prelude to ceremonies or other dances.
This has been reinforced by the late Palembang cultural observer R. Johan Hanafiah. So, Mrs. Elly Rudy created a dance entitled Tari Tanggai using the song "Enam Saudara" (the six brothers). The dance is practiced in Palembang. [2]
Sigalegale (Batak: ᯘᯪᯎᯞᯩᯎᯞᯩ ) is a wooden puppet used in a funeral dance performance of the Batak people in Samosir Island, Northern Sumatra.Sigale Gale is a well-known feature for visiting tourists.
Bajidor Kahot (from Sundanese ᮘᮏᮤᮓᮧᮁ ᮊᮠᮧᮒ᮪) is a Sundanese dance from Indonesia which combines the dance movements of Ketuk Tilu and Jaipongan as the basis of its motions. [1]
Traditional Balinese dances are sacral in nature, thus unsuited for secular performances. That these dances were used for welcoming non-Balinese, and in non-sacral contexts, was a point of controversy in the late 1960s. [1]