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Both represent [ki] and are derived from a simplification of the 幾 kanji. The hiragana character き, like さ , is drawn with the lower line either connected or disconnected. A dakuten may be added to the character; this transforms it into ぎ in hiragana, ギ in katakana, and gi in Hepburn romanization .
An even longer version, Taumata-whakatangihanga-koauau-o-Tamatea-hau-mai-tawhiti-ure-haea-turi-pukaka-piki-maunga-horo-nuku-pokai-whenua-ki-tana-tahu, has 105 letters and means "the hill of the flute playing by Tamatea – who was blown hither from afar, had a slit penis, grazed his knees climbing mountains, fell on the earth, and encircled the ...
The term is a compound of ki (Japanese: 気), meaning "energy" or "mood" and a(u) (Japanese: 合, infinitive ai), an emphatic marker. [1] The same concept is known as kihap in many Korean martial arts, such as taekwondo and Tang Soo Do, ki being the energy and hap meaning to join, to harmonize or to amplify, based on the Korean reading of the same characters; its Hangul spelling is 기합.
Dingir also meant 'sky' or 'heaven', in contrast with ki, which meant 'earth'. Its emesal pronunciation was dimer. (The use of m instead of ĝ [ŋ] was a typical phonological feature in emesal dialect.) The plural of diĝir can be diĝir-diĝir, among others.
In Modern Greek, it has two distinct pronunciations: In front of high or front vowels (/e/ or /i/) it is pronounced as a voiceless palatal fricative [ç], as in German ich or like some pronunciations of "h" in English words like hew and human.
The official summary chart of the IPA, revised in 2020. The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script.
It is a shortened version of toiu (という), the present progressive form of the verb iu (言う), "to say"; it functions as a type of verbal quotation mark. It is sometimes used for a direct quote, sometimes for an indirect quote, and sometimes simply to emphasize a word or concept.
Kiki" (alternately kiking or a ki), a term which started in ballroom culture, and was also for decades used in lesbian lingo to refer to a woman who was neither butch nor femme.