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In 1971, the Coasters had a minor chart entry with "Love Potion No. 9", a song that Leiber and Stoller had written for the Coasters, but instead gave to the Clovers in 1959. In Britain, a 1994 Volkswagen TV advertisement used the group's "Sorry But I'm Gonna Have to Pass", which led to a minor chart placement in that country.
It should only contain pages that are The Coasters songs or lists of The Coasters songs, as well as subcategories containing those things (themselves set categories). Topics about The Coasters songs in general should be placed in relevant topic categories .
Cozy Cole (center) was the second artist to top the combined Hot R&B Sides chart, introduced in October.. At the start of 1958, Billboard magazine published two charts specifically covering the top-performing songs in the United States in rhythm and blues (R&B) and related African-American-oriented music genres.
"Charlie Brown" is a popular Jerry Leiber and Mike Stoller song that was a top-ten hit for the Coasters [2] in the spring of 1959 (released in January, coupled with "Three Cool Cats", Atco 6132). [3] It went to No. 2 on the Billboard Hot 100 singles chart, while " Venus " by Frankie Avalon was at No. 1. [ 4 ]
The Coasters [2] 9 14 - 1969: Ray Stevens, #27 US pop "Poison Ivy" The Coasters [2] 7 1 15 1964: The Paramounts, #35 UK 1980: The Lambrettas, #7 UK 1990: Young & Restless, #76 R&B "I'm a Hog for You" The Coasters 38 - - "Love Potion No. 9" The Clovers: 23 23 - 1964: The Searchers, #3 US pop 1971: The Coasters, #76 US pop 1980: Rinder & Lewis ...
Music lovers in the UK have done their best to finally put to rest the endless debate of what is the greatest guitar riff in music history. The voting was sponsored by BBC Radio 2 for a just over ...
"Poison Ivy" is a popular song by American songwriting duo Jerry Leiber and Mike Stoller. It was originally recorded by the Coasters in 1959. [1] It went to No.1 on the R&B chart, No.7 on the Billboard Hot 100 chart, [2] and No.15 in the UK. This was their third top-ten hit of that year following "Charlie Brown" and "Along Came Jones".
The song is a "playlet," a word Stoller used for the glimpses into teenage life that characterized the songs he and Lieber wrote and produced. [4] The lyrics describe the listing of household chores to a kid, presumably a teenager, the teenager's response ("yakety yak") and the parents' retort ("don't talk back") — an experience very familiar to a middle-class teenager of the day.