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Muñecos de Papel is the first soundtrack album to Alcanzar una estrella II, released in 1991. It includes the first opening song for the telenovela, "Estrella de Ilusion", performed by Zarabanda, as well as the second opening song "Muñeco de Papel", performed by the fictional band Muñecos de Papel (Sasha, Ricky Martin, Bibi Gaytan, Marisa de ...
Conceptual history (also the history of concepts or, from German, Begriffsgeschichte) is a branch of historical and cultural studies that deals with the historical semantics of terms. It sees the etymology and the change in meaning of terms as forming a crucial basis for contemporary cultural, conceptual and linguistic understanding.
Clara later collaborated with her father, Herculano de la Rocha, in the attack to take control of the Sinaloa Mint, located on Rosales Street in Culiacán, Sinaloa, with success, largely thanks to the enormous cunning of Herculano who, with intelligence, knew how to defeat the federals and take control of the Sinaloa Mint.
Conceptual engineering is a field in analytic philosophy that focuses on how to best assess and improve our conceptual schemes and repertoires. One of its key features is its normative agenda: conceptual engineers aim to prescribe which concepts we ought to have and use, instead of merely describing those we have and use.
The "global predictor" is a subject that, to the extent of its understanding, implements "conceptual power" [34] [35] (the power of ideas that dominate society and people who form, understand, and implement these ideas) on society. To solve the main problems of Russian society, supporters of the KPE point to the need for Russia to acquire its ...
Cultural priming is a technique employed in the field of cross-cultural psychology and social psychology to understand how people interpret events and other concepts, like cultural frame switching and self-concept.
Sandra Faginas of Spanish newspaper La Razón praised the character, saying Tokyo was "a wonderful cocktail of passion and reason" that was "born splendidly in script". She regarded Tokyo as a "free soul touching every companion and approaching them in different ways: Rio with passionate tenderness, the Professor with cold respect, Nairobi with ...