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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610).. The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [1] of his study of the artist).
Still Life with Flowers and Fruit: Rome, Borghese: 105 × 184 cm Oil on canvas: Attributed to Painter of the Hartford Still Life 1601: The Incredulity of Saint Thomas (Ecclesiastical Version) Florence, Private Collection 118 × 156.5 cm Oil on canvas: 1602: Supper at Emmaus: London, National Gallery: 139 × 195 cm Oil on canvas: 1602: Amor ...
After 1550 the Flemish and Dutch painters begin to show more interest in nature and beauty "in itself", leading to a style that incorporates Renaissance elements, but remains far from the elegant lightness of Italian Renaissance art, [3] and directly leads to the themes of the great Flemish and Dutch Baroque painters: landscapes, still lifes ...
Fede Galizia, better known as Galizia, (c. 1578 – c. 1630) was an Italian painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art.
Art collectors at the time possessed an average of 30 paintings at home, noted Pelletier; a common party pastime during social gatherings was to guess a work’s painter, or whether the maker was ...