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Throughout the Pacific, some jewellery pieces are more common than others. For example, necklaces, earrings and headdresses of different sorts are all very common items used by Polynesians to adorn themselves. Some pieces, such as the wearing of masks, are only apparent in certain areas, such as Micronesia and with the aborigines of Australia.
Yupei could be stringed together to make an ensemble of jade pendants (which would hold at the belt and could also be composed of chains of bi (璧; jade discs or jade rings). [ 2 ] : 18–20 Jade in the form of huang were also popular in the making of yupei and had a rigid and specific rules attached to its use.
Ensemble of jade pendants and/or jade strings which were combined with other precious materials (such as silver or gold accessories) were called jinbu (Chinese: 禁步); the jinbu were a type of yaopei (waist accessories) which were typically worn by women to press down the hemline of their clothing. [3]
The most notable jade products of these regions were the vast amounts of penannular (in the form of an incomplete circle) and double-headed earrings and pendants known as lingling-o, primarily produced in the Philippines and the Sa Huỳnh culture of Vietnam, mostly with raw jade material sourced from eastern Taiwan. These typically depicted ...
Earlier historians have posited that the earliest lingling-o artifacts found in the Philippines were created outside of the archipelago, but an expedition to the northern Philippine province of Batanes, led by archeologist Peter Bellwood in the early 2000s, led to the discovery of a lingling-o workshop, complete with construction tools and fragments.
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