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The piece can be heard as a five-part rondo, with the form A-B-A-C-A. It is in A minor and in 3 8 time. It begins with the refrain A, a flowing melody in binary form marked Poco moto (literally "a little motion," a tempo indication that does not appear elsewhere in Beethoven's works), with an arpeggiated left hand accompaniment. The ...
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Ludwig van Beethoven [n 1] (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
Toccata and Fugue in D minor (BWV 565) – possibly Bach's transcription of a violin work, or indeed a piece by another composer; Bairstow, Edward. Organ Sonata (1937) Beethoven, Ludwig van. Fugue in D major for organ, WoO 31 (1783) Berlioz, Hector. Hymne pour l’élévation in D major for organ, H 100 (1844)
When Beethoven began composing his Symphony No. 7, Napoleon was planning his campaign against Russia.After Beethoven's Symphony No. 3 (and possibly Symphony No. 5 as well), Symphony No. 7 seems to be another one of his musical confrontations with Napoleon, this time in the context of the European wars of liberation from years of Napoleonic domination.
Egmont, Op. 84 by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe. [1] It consists of an overture followed by a sequence of nine pieces for soprano, male narrator, and full symphony orchestra.
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The performance time runs between five and six minutes; the tempo of the piece is Allegro vivace (= 132–160). The indication alla ingharese is of interest, as no such word as "ingharese" exists in standard Italian. To people of Beethoven's day, "Gypsy music" and "Hungarian music" were synonymous terms.