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In contemporary jazz, the Phrygian mode is used over chords and sonorities built on the mode, such as the sus4(♭ 9) chord (see Suspended chord), which is sometimes called a Phrygian suspended chord. For example, a soloist might play an E Phrygian over an Esus4(♭ 9) chord (E–A–B–D–F).
The Phrygian dominant scale is often used in jazz composition and improvisation over secondary dominants of minor chords in a major key, such as the VI 7 chord in a VI 7-ii 7-V 7-I progression. Some modal jazz compositions, such as " Nardis " by Miles Davis , are composed in the Phrygian dominant mode.
Phrygian: Phrygian: Unusual Gamma scale ... Jazz scale; List of chord progressions; List of chords; List of musical intervals; List of pitch intervals; Arabian maqam;
Seventh chord on the dominant: G 7 ... dominant ♭2 ♭6 scale (in jazz), Freygish scale, Phrygian harmonic (♮3) scale: Lydian harmonic (♯2) scale: super Locrian ...
For instance, in C major, a jazz musician may alter the V chord, G 7 (G–B–D–F), with a flattened fifth, producing the chord G 7 ♭ 5 (G–B–D ♭ –F). An improviser might then choose a scale containing these four notes, such as the G whole tone scale, the G octatonic scale, or a mode of either D or A ♭ melodic minor ascending.
The four basic chord types are major, minor, minor-major, and dominant. When written in a jazz chart, these chords may have alterations specified in parentheses after the chord symbol. An altered note is a note which is a deviation from the canonical chord tone. [citation needed] There is variety in the chord symbols used in jazz notation.
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The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).