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Pitch correction is an electronic effects unit or audio software that changes the intonation (highness or lowness in pitch) of an audio signal so that all pitches will be notes from the equally tempered system (i.e., like the pitches on a piano).
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1] [2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric ...
Has a powered cam to adjust the height of the brushbar ("Dyson Airmuscle") controlled from a set of buttons by the main power switch above the cyclone assembly, a pneumatic actuator to keep the cleaning head on the floor, and a high-torque clutch to give extra power to the brushbar.
Man turning tuning pegs to tune guitar Tuning of Sébastien Érard harp using Korg OT-120 Wide 8 Octave Orchestral Digital Tuner. Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz.
A battery charger, recharger, or simply charger, [1] [2] is a device that stores energy in an electric battery by running current through it. The charging protocol—how much voltage and current, for how long and what to do when charging is complete—depends on the size and type of the battery being charged.
An adaptive equalizer is an equalizer that automatically adapts to time-varying properties of the communication channel. [1] It is frequently used with coherent modulations such as phase-shift keying, mitigating the effects of multipath propagation and Doppler spreading. Adaptive equalizers are a subclass of adaptive filters.
Dolby noise reduction is a form of dynamic pre-emphasis employed during recording, plus a form of dynamic de-emphasis used during playback, which work in tandem to improve the signal-to-noise ratio. The signal-to-noise ratio is simply how large the music signal is compared to the low level of tape noise with no signal.
The controls enable the operator to adjust the amount of signal that will be sent from its corresponding channel into the signal bus routed to its corresponding aux-send output. The largest, most expensive mixers have a number of aux-send knobs on every channel, thus giving the audio engineer the flexibility to create many live sound and/or ...