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The Triumph of Achilles is a collection of poetry by Louise Glück, published in 1985 by Ecco Press. [1] It won the National Book Critics Circle Award for poetry. [2] The work concerns themes from classical antiquity and myth. [3] Literary critic Daniel Morris describes it as a "pivotal work" in Glück's oeuvre. [3]
Louise Elisabeth Glück (/ ɡ l ɪ k / GLIK; [1] [2] April 22, 1943 – October 13, 2023) was an American poet and essayist. She won the 2020 Nobel Prize in Literature, whose judges praised "her unmistakable poetic voice that with austere beauty makes individual existence universal". [3]
Based upon three references to the poem in the Silvae, the Achilleid seems to have been composed between 94 and 96 CE. [1] At Silvae 4. 7. 21–24, Statius complains that he lacks the motivation to make progress upon his "Achilles" without the company of his friend C. Vibius Maximus who was travelling in Dalmatia (and to whom poem is addressed). [2]
Achilles is the subject of the poem Achilleis (1799), a fragment by Johann Wolfgang von Goethe. In 1899, the Polish playwright, painter and poet Stanisław Wyspiański published a national drama, based on Polish history, named Achilles. In 1921, Edward Shanks published The Island of Youth and Other Poems, concerned among others with Achilles.
Briseis, a woman captured in the sack of Lyrnessus, a small town in the territory of Troy, and awarded to Achilles as a prize. Agamemnon takes her from Achilles in Book 1 and Achilles withdraws from battle as a result. Chryseis, Chryses’ daughter, taken as a war prize by Agamemnon. Clymene, servant of Helen along with her mother Aethra.
The poem begins "The glories of our blood and state / Are shadows, not substantial things," which has been often excerpted and reproduced, sometimes under the title of "Death the Leveller." [ 4 ] Included in collections of familiar quotations, the poem is the most famous and popular work in Shirley's canon; Louisa May Alcott quotes its ...
Priapeia 68 or Priapea 68 is the sixty-eighth poem in the Priapeia, a collection of Latin poetry of uncertain authorship. The eighty poems lack a unified narrative, but share Priapus , an ithyphallic god of fertility worshiped in both Ancient Hellenic and Roman religions, as by turns a speaker and subject.
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