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Little Darlings is a 1980 American teen comedy-drama film starring Tatum O'Neal and Kristy McNichol and featuring Armand Assante and Matt Dillon. It was directed by Ronald F. Maxwell. [3] The screenplay was written by Kimi Peck and Dalene Young and the original music score was composed by Charles Fox. The film was marketed with the tagline "Don ...
Billboard ranked this version as the No. 3 song for 1957. In Canada, the song was No. 11 on the premiere CHUM Chart, May 27, 1957. [4] The Diamonds' version is generally considered superior. Allmusic critic Stephen Thomas Erlewine argues that the Diamonds "Little Darlin'" is an unusual example of a cover being better than the original:
Billboard described the song as a "swinger that should have no trouble making a rapid chart climb," with "strong material and performance." [4] Cash Box said that it is a "wailing throbber with a built-in zoom quality." [5] Record World said that "The song has danceable beat and is just irresistible." [6]
"Darlin '" is a song by American rock band the Beach Boys from their 1967 album Wild Honey. [5] Written by Brian Wilson and Mike Love, it was inspired by singer Danny Hutton (the title word featured heavily in his vocabulary) and was originally intended to be recorded by an early version of Three Dog Night.
The Little Darling, a 1909 comedy short directed by D. W. Griffith; Little Darlings, ... "Little Darlin'", a popular song, made famous by the Diamonds; Literature
"Darling Be Home Soon" is a song written by John Sebastian of the Lovin' Spoonful for the soundtrack of the 1966 Francis Ford Coppola film You're a Big Boy Now. It appeared on the Lovin' Spoonful's 1967 soundtrack album You're a Big Boy Now .
The first hour of the movie—which encompasses Chapters 3, 5, 1, 4, and 2, in that order—culminates in the big reveal: that Fitzgerald's Lady is actually the wanted killer, a dangerous fugitive ...
"Little Bit O' Soul" has been subsequently covered by several bands including Ramones, the Linda Lindas and 2 Live Crew, who sampled the song's melody. The hit single's flip side, "I See The Light" (featuring a surf guitar bridge), was covered by the Fourth Amendment and had a resurgence on some radio stations in the Midwest in 1971. [10]