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Chicano culture embodies the "in-between" nature of cultural hybridity. [101] Central aspects of Chicano culture include lowriding, hip hop, rock, graffiti art, theater, muralism, visual art, literature, poetry, and more. Mexican American celebrities, artists, and actors/actresses help bring Chicano culture to light and contribute to the ...
The Chicano movement involved heavy reliance on its youth. Many Chicano youths believed that they were more able to fight against American racism and push the Chicano agenda better than adults and this was evident through the participation of youths in the movement and also in the emphasis put on youths by the movement's leaders. Chicano ...
Chicano art even embraced the vandalistic expressions of graffiti. Art in the barrio also incorporates graffiti as a form of artistic expression, often associated with subcultures that rebel against authority. Graffiti has origins in the beginnings of hip hop culture in the 1970s in New York City, alongside rhyming, b-boying, and beats.
The Chicano Movement, also referred to as El Movimiento (Spanish for "the Movement"), was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation.
[5] [6] Cholo was first reclaimed by Chicano youth in the 1960s and emerged as a popular identification in the late 1970s. [ 1 ] [ 7 ] The subculture has historical roots in the Pachuco subculture, but today is largely equated with antisocial or criminal behavior such as gang activity .
By the 1980s, Chicano cinema had begun to move into the mainstream of American popular culture. Integration of schools and culture was a major focus of many of these films. [21] As these films became popular, they began to make more money, leading to larger studios creating more Chicano movies. [21]
Brown-eyed soul, also referred to as Chicano soul, Hispanic soul, or Latino soul, is soul music & rhythm & blues (R&B) performed in the United States mainly by Hispanic Latinos and Chicanos in Southern California, East Los Angeles, and San Antonio (Texas) during the 1960s, continuing through to the early 1980s. [1]
Rasquachismo or "Rascuachismo" is a theory developed by Chicano scholar Tomás Ybarra-Frausto to describe "an underdog perspective, a view from "los de abajo" (from below) in working class Chicano communities which uses elements of "hybridization, juxtaposition, and integration" as a means of empowerment and resistance.