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Aeschylus Sophocles Euripides. Ancient Greek tragedies were most often based upon myths from the oral traditions, exploring human nature, fate, and the intervention of the gods. They evoke catharsis in the audience, a process through which the audience experiences pity and fear, and through that emotional engagement, purges these emotions.
Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens.Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full.
Aeschylus married and had two sons, Euphorion and Euaeon, both of whom became tragic poets. Euphorion won first prize in 431 BC in competition against both Sophocles and Euripides. [23] A nephew of Aeschylus, Philocles (his sister's son), was also a tragic poet, and won first prize in the competition against Sophocles' Oedipus Rex.
Sophocles [a] (c. 497/496 – winter 406/405 BC) [2] was an ancient Greek tragedian known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus and earlier than, or contemporary with, those of Euripides.
Philoctetes (Ancient Greek: Φιλοκτήτης) is a play by the Athenian poet Aeschylus. It was probably first produced during the 470s BCE. It is now lost except for a few fragments. Most of what we know of the plot is from the writings of 1st century orator Dio Chrysostom, who compared the Philoctetes plays of Aeschylus, Euripides and ...
Aeschylus' play introduced the innovation that Odysseus, who was largely responsible for Philoctetes being marooned on Lemnos was sent to fetch him. [2] [6] [7] [8] Euripides (and Sophocles) retained this plot point in their versions of the story. [7]
In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes of human nature, mainly as a way of connecting with the audience but also as way of bringing the audience into the play.
Aeschylus (c. 525–456 BC): The Persians (472 BC) Seven Against Thebes (467 BC) The Suppliants (463 BC) The Oresteia (458 BC, a trilogy comprising Agamemnon, The Libation Bearers and The Eumenides.) Prometheus Bound (authorship and date of performance is still in dispute) Phrynichus (~511 BC): The Fall of Miletus (c. 511 BC) Phoenissae (c. 476 ...