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Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens .
The Finding of the Saviour in the Temple (1854–1860) is a painting by the English artist William Holman Hunt intended as an ethnographically accurate version of the subject traditionally known as "Christ Among the Doctors", an illustration of the child Jesus debating the interpretation of the scripture with learned rabbis.
To the right there is a figure, that stands nearest to Jesus, who was depicted as the painter's good friend, the writer Gogol. Before the wanderer with a staff seated not far from John, is a figure seated with a red headgear. The figure is a self-portrait; the artist has captured his own features on the canvas. [8] [9] Studies
The Beheading of Saint John the Baptist (Giovanni di Paolo) The Beheading of Saint John the Baptist (Caravaggio) Bevilacqua-Lazise Altarpiece; Birth of John the Baptist (Signorelli) The Birth of Saint John the Baptist (Artemisia Gentileschi) Braque Triptych; Brera Madonna; The Burial of the Count of Orgaz; Burning Bush Triptych
The incisive and graphic lines of the painting (in the hair of John the Evangelist, painted one by one, and in the vein of Christ's arm) recall Mantegna's style, but the painting's use of color and light is different. The tones are softer and recreate the effect of the natural illumination of a clear day.
Saint John the Baptist is an oil on canvas painting by Titian, from c. 1540. It depicts Saint John the Baptist with his traditional attributes of the Lamb of God and a staff. It was part of a former altarpiece. It is part of the collection of the Gallerie dell'Accademia, in Venice. [1]
The episode of the twelve-year-old Jesus in the temple is taken from the Gospel of Luke (Lk 2.42-50), and is often depicted in Christian art, for example in cycles on the life of Mary. Liebermann had the idea for this painting when he visited the Jewish quarter of Amsterdam in 1876.
John the Baptist (sometimes called John in the Wilderness) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610). The story of John the Baptist is told in the Gospels. John was the cousin of Jesus, and his calling was to prepare the way for the coming of the Messiah.