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Deepavali (transl. Diwali) is a 2007 Indian Tamil-language action romance film written and directed by Ezhil and produced by Thirupathi Brothers.The film stars Ravi Mohan and Bhavana in the lead roles, with Raghuvaran, Lal, Vijayakumar, and Cochin Haneefa in supporting roles.
Thangamaana Raasa was released on 28 October 1989 on the occasion of Diwali alongside another Ramarajan starrer Anbu Kattalai.Despite facing competition from other Diwali releases such as Mappillai, Vettri Vizhaa, Rajanadai, Dharmam Vellum, Dravidan and Vaathiyaar Veettu Pillai, it became profitable at the box-office. [6]
Puyal Paadum Paattu was released on 21 October 1987, [7] [8] during Diwali. [9] The Indian Express wrote, "The campus scenes have impact. The sprinkling of good dancers, the exotic costumes, the catchy tunes and rhythms used in the songs and the general air of youthful vivacity come over beautifully". [10]
The music was composed by M. S. Viswanathan, cinematography was handled by P. Ganesh Pandian, and editing by R. Bhaskaran. Andha 7 Naatkal was released on 26 October 1981, Diwali day. The film was a commercial success, and Bhaskaran won the Tamil Nadu State Film Award for Best Editor.
The soundtrack album contains five songs, with lyrics by Vaali and Yugabharathi; Silambarasan wrote the lyrics for "Pondaati". About the song, Silambarasan said that it revolves around a "husband's praise for his wife." [7] "Pondaati" and "Neduvaali" (sung by Rahul Nambiar and Mahathi) are reminiscent of Thaman's compositions for the Telugu ...
Pookkal Vidum Thudhu was released on 21 October 1987, during Diwali, and distributed by Simbu Cine Arts. [5] [10] The Indian Express wrote that the film was "swamp[ed]" with an "extravagant assortment of comedians" and an "indiscriminate flurry of songs that take the film nowhere in particular", although the critic said Monisha had "the advantage of being a newface in Tamil films" and ...
Parisu was released on 15 November 1963, [4] [5] Diwali day. [6] Writing for Sport and Pastime, T. M. Ramachandran said, "The story is inconsequential. At best, it is used as a peg to hang the various songs, oft-repeated romantic and comic interludes and fighting sequences". [7] Kanthan of Kalki criticised the story for lack of originality. [8]
The music for Kairasi was composed by R. Govardhanam, with lyrics penned by Kannadasan, Kothamangalam Subbu and K. S. Gopalakrishnan. [2] Music historian Vamanan noted that Kairasi "brought out the best in Govardhanam, with its limpid melodies brimming forth sweetly with lyrical intimations of love and romance."